Photography, for me, is not simply a way of describing the world, but a means of moving through it. When attention shifts beyond what is immediately visible, an image can carry traces of time, emotion, and silence.

   This body of work is made from a position of conscious distance. I photograph as if looking through the eyes of a ghost — a gaze without a body. While making these images, I felt as though I had briefly stepped outside of life, returning to the human world as a spirit: present, aware, yet no longer fully inside it.

   From this position, familiar scenes remain recognisable, but slightly distant. They exist in a suspended state, between reality and memory, where the everyday holds a quiet sense of separation.